Ana María Millán






Ana María Millán was born in 1975 in Cali, Colombia. She lives and works between Bogotá and Berlin.

Millán’s work locates a personal and skeptical voice in the narrative spaces of video. It looks into different forms of transmission of information in relation to subcultures, ideas of violence and exclusion discourses. It speaks from amateur culture and local stories, incorporating the possibilities and mistakes typical of rehearsals, as well as narrative forms considered dysfunctional.

Her work has been shown in Premio Luis Caballero (solo), Archivo General de la Nación, Bogotá 2015; Nido o átomo. He aquí la estrella, Die Ecke Arte Contemporáneo, Santiago de Chile 2015; A Rehearsal, International Studio and Curatorial Program, New York 2015; El diablo probablemente, Museo La Tertulia, Cali 2015 and Fundación Misol, Bogotá 2014; Un hechizo en el espacio, Museo La Tertulia, Cali 2015; Hielo negro (solo), (bis) | oficina de proyectos, Cali 2015; Mutis Mutare, El Matadero, Madrid 2015; Video Sector, Miami Art Basel, Miami 2014; Dinastía (solo), Instituto de Visión, Bogotá 2014; El ocioso imperfecto o Cuando las cosas desaparecen, Bienal Internacional de Arte Contemporáneo de Cartagena de Indias, Cartagena 2014; Ir para volver, 12 Bienal de Cuenca, Cuenca 2014; Moby Dick y el Buque Gloria (solo), Lugar A Dudas, Cali 2013; El Dorado, A Gentil Carioca, Rio de Janeiro 2013 and TEOR/éTica, San José 2013; Six Lines of Flight: Shifting Geographies in Contemporary Art (with Helena Producciones), SFMoMa 2012; Desde el malestar: ¿Qué cosa es la verdad?, Museo La Tertulia, Cali 2012; Living as Form (with Helena Producciones), Creative Time, New York 2011; ¿Tierra de nadie?, Centro Cultural Montehermoso, Vitoria-Gasteiz 2011; AUTO-KINO! presented by Phil Collins, Temporäre Kunsthalle, Berlin 2009; Historias colaterales, Centro Cultural de España, Guatemala 2008; I Still Believe in Miracles – part I, Musée d’Art Moderne de la Ville de Paris 2005.


www.anamariamillan.info/